Download everything is love full album

Happily in love
Haters please forgive me
I let my wife write the will I pray my children outlive me
I give my daughter my custom dress and she gon’ be litty
Vintage pieces by the time she hit the city yeah
Vintage frames I see nobody f------ with him
Pretty thug out that third ward , gimme
Sir acid, like his dad’s sh-- is trippy
Twinning, Blue and Rumi
Me and Solo how fitting
Sitting, doc at the bay with a big yacht
Sipping Yamazaki on the rocks
He went to Jared I went to JAR out in Paris
Yeah you f----- up the first stone
We had to get remarried
(Yo, chill man)
We keeping it real with these people right?
Lucky I ain’t kill you when I met that b..
(Nah, aight, aight)
Ya know how I met her
We broke up and got back together
To get her back, I had to sweat her
Ya could make up with a bag
I had to change the weather
Move the whole family West
But it’s whatever
In a glass house, still throwing stones
Hova, Beyzus
Watch the throne

You did some thangs to me
Boy you do some thangs to me
But love is deeper than your pain
And I believe you can change baby
The ups and downs are worth it
Long way to go but we’re working
We’re flawed but we’re still perfect for each other yeah yeahyeah

Sometimes I thought we’d never see the light
We went through hell with heaven on our side
This beach ain’t always been no paradise
But nightmares only last one night

No more clubs and Cali curfews
Just private affairs and a tighter circle
Large format wines in small settings
Just hood a-- n----- in designer suits
Follow my moves, I’m the truth inAlaia boots
Amelia Earhart flyer than who
Fake newsy’all choose, we no like
No photoshop this real life

You did some thangs to me
Boy you do some thangs to me
But love is deeper than your pain
And I believe you can change baby
The ups and downs are worth it
Long way to go but we’re working
We’re flawed but we’re still perfect for each other yeah, yeah, yeah

Sometimes I thought we’d never see the light
We went through hell with heaven on our side
This beach ain’t always been no paradise
But nightmares only last one night

Look at us now
Pray….
Pray for the vows
Way..
Up now
It’s a long way ..
A long way down

We came and
We saw and we
Conquered it all
We came and
We conquered, now we
Happy in Love

WRITTEN BY BEYONCé, S. CARTER, DAVID ANDREW SITEK, NIJA CHARLES, DENISIA ANDREWS, BRITTANY CONEY, EDDIE CAMPBELL, ERNIE JOHNSON, PETE JAMES, BILL LASWELL, JEAN TOUITOU, THIERRY PLANELLE, L. LYNN, R. OZUNA, J. POYSER, R. SAADIQ, G. STANDRIDGE, E. WRIGHT, LARRY GRAHAM / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), BMG MONARCH/SONGS OF BIG DEAL/THE FANTASY CONTINUES MUSIC (ASCAP); SONGS BY AMNIJA/UNIVERSAL MUSIC PUBLISHING GROUP (BMI);1114 SOUNDS/W.B.M MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI) FOX FILM MUSIC CORPORATION (BMI); SENSELESS MUSIC (BMI); SONGS OF UNIVERSAL INC (BMI); JAJAPO MUSIC INC (ASCAP); JAKE & THE PHATMAN (ASCAP); UNIVERSAL MUSIC-MGB SONGS (ASCAP) / PRODUCED BY BEYONCé, JAY-Z AND DAVID ANDREW SITEK / ADDITIONAL PRODUCTION BY: NOVA WAV / MIXED BY TONY MASERATI AND STUART WHITE AT THE CHURCH STUDIOS LONDON, UK / RECORDED BY STUART WHITE, GIMEL "YOUNG GURU" KEATON AND ZEPH SOWERS AT THE U ARENA PARIS, FRANCE / ASSISTANT MIX ENGINEER: TYLER SCOTT / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING, ATLANTA, GA USING SING TECHNOLOGY®

CONTAINS A SAMPLE OF "YOU MAKE MY LIFE A SUNNY DAY" WRITTEN BY EDDIE CAMPBELL, ERNIE JOHNSON AND PETE JAMES AND PERFORMED BY EDDIE & ERNIE

CONTAINS ELEMENTS OF "VICTORY IS CERTAIN" FROM APC TRACKS VOL 1 WRITTEN BY BILL LASWELL, JEAN TOUITOU AND THIERRY PLANELLE

CONTAINS AN INTERPOLATION OF "LOVE OF MY LIFE" WRITTEN BY L. LYNN, R. OZUNA, J.POYSER, R. SAADIQ, G. STANDRIDGE AND E. WRIGHT PERFORMED BY ERYKAH BADU AND COMMON
PUBLISHED BY FOX FILM MUSIC CORPORATION (BMI); SENSELESS MUSIC (BMI); SONGS OF UNIVERSAL INC (BMI); JAJAPO MUSIC INC (ASCAP); JAKE & THE PHATMAN (ASCAP); UNIVERSAL MUSIC-MGB SONGS (ASCAP)

FEATURING SAMPLES FROM THE GRAHAM CENTRAL STATION RECORDING "THE JAM" WRITTEN BY LARRY GRAHAM. PRODUCED UNDER LICENSE FROM WARNER MUSIC BROS. RECORDS INC. BY ARRANGEMENT WITH RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY

Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah

Stack my money fast and go fast, fast, go
Fast like a Lambo skrrt, skrrt, skrrt
I be jumping off the stage oh jumping, jumping, hey, hey
Crowd better save her crowd going hey

I can’t believe we made it this is what we made, made
This is why we thankful this is why we thank, thank
I can’t believe we made it this a different angle
Have you ever seen a crowd goin’ ape ape? Rah!

Give me my check
Put some respeck on my check
Or pay me in equitypay me in equity
Watch me reverse out of debt skrrt
He got a bad chick bad chick
We living lavish lavish
I got expensive fabrics
I got expensive habits

He wanna’ go with me go with me
He like to roll with meroll with me
He want to be with mebe with me
He wanna’ give me that vitamin DD!
Ice ornaments
Ice style tournaments
You ain’t on to thisno
Don’t think they on to this no
Yeah, yeah, yeah, yeah

Bought him a jet Yeah, yeah, yeah, yeah
Shut down Colette Yeah, yeah, yeah, yeah
Philippe PatekYeah, yeah, yeah, yeah
Get off my ouu uh, hey

Gimme da ball
Gimme the ball
Take a top shiftball
Call my girls and put ‘em all on a spaceshipbrr
Hang one night with Yoncè I’ll make you famoushey
Have you ever seen a stage goin’ ape sh--?Rah!

Stack my money fast and go fast, fast, go
Fast like my Lambo skrrt, skrrt, skrrt
I be jumping off the stage oh jumping, jumping, hey, hey
Crowd better save her crowd going hey

I can’t believe we made it this is what we made, made
This is what we thankful forthis is what we thank, thank
I can’t believe we made it this a different angle
Have you ever seen a crowd goin’ apesh--? Rah!

I’m a Gorilla in a f------ coupe
Finna pull up in the zoo
I’m like Chief Keef meet Rafiki who been lyin King to you
Pocket watching like kangaroos
Tell these clowns we ain’t amused
‘Nana clips for that monkey business
4-5 got change for you
Motorcades when we came through
Presidential with the planes too
Wouldn’t bet against you with the residential
Undefeated with the cane too
I said no to the super bowl
You need me, I don’t need you
Every night we in the end zone
Tell the NFL we in stadiums too
Last night was a f------ zoo
Stage diving in a pool of people
Ran through Liverpool like a f------Beatle
Smoking gorilla glue like it’s f------ legal
Tell the Grammys f---- that 0-8 sh--
Have you ever seen a crowd going ape sh--?Rah!

Stack my money fast and go fast, fast, go
Fast like my Lambo skrrt, skrrt, skrrt
I be jumping off the stage oh jumping, jumping, hey, hey
Crowd better save her crowd going hey

I can’t believe we made it this is what we made, made
This is what we thankful for this is what we thank, thank
I can’t believe we made it this a different angle
Have you ever seen a crowd goin’ apesh--? Rah!

Haters in danger
Whole lot of gangin’ (gang)
35 chains
I don’t give a d---‘bout the fame (nope)
G8 planes (tshh)
Alexander Wang (woo!)
She a thot that you claim (woo!)
Can’t be tapping my reign oh ah

Poppin’, I’m poppin’ my bitches all poppin’
And we go to the dealer and cop it all (cop it all)
Sipping my favorite alcohol (alcohol)
Got me so lit I need Tylenol
All of my people I free ‘em all (free ‘em all)
Hop in my whip wanna’ see the stars, uh
Sending the missiles off
Drinking my inhibitions off
Two hundred fifty for the Richard Mille
Yeah yeah
Live in your feels
My body make Jigga go kneel
My man, my mama, my lawyer, my shield
Look at my jewelry I’m lethal (lethal)
These diamonds on me they see-through
I’m a Martian they wishing they equal (equal)
I got M’s like the back Evisu

Gimme da ball
Gimme the ball
Take a top shift (she went crazy)
Call my girls and put ‘em all on a spaceship
Hang one night with Yoncè I’ll make you famous
Have you ever seen a crowd going ape sh--? Rah!

Stack my money fast and go fast, fast, go
Fast like a Lambo skrrt, skrrt, skrrt
I be jumping off the stage oh jumping, jumping, hey, hey
Crowd better save her crowd going hey

I can’t believe we made it this is what we made, made
This is what we’re thankful forthis is what we thank, thank
I can’t believe we made it this a different angle
Have you ever seen a crowd goin’ apesh--? Rah!

Written by Pharrell Williams, Beyoncé, S. Carter, QuaviousKeyate Marshall, Kiari Kendrell Cephus
Published byEMI Pop Music Publishing/More Water From Nazareth (GMR); Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC;Huncho YRN Music (ASCAP/ 1479 QC Music/Universal Corp (ASCAP); YRN Piped Up ENT (ASCAP)/JPL QC Music, Reservoir Media Music (ASCAP)
Produced byPharrell, Beyoncè and JAY-Z
Additional vocals by Offset &Quavo of Migos
Mixed by Stuart White
Recorded by Stuart White
Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®
Offset &Quavo appear courtesy of Quality Control Music

Contains elements of A$AP Rocky Non- Music YouTube Video

Mm , mmm
Ain’t nothin’ to it
Real one
Ain’t nothin’ to it
Boss
Ain’t nothin’ to it
Real one
Ain’t nothin’ to it
Boss
I pay the cost
Ohh, gon’ take it off
Take it off
I record then I ball
Then I ball
I ignored a lot of calls
Click, click
You ain’t talkin’ bout nothin’
I ain’t got no time
Got that dinero on my mind
Ohh… I got real problems just like you
Ohh I got real problems just like you
Tell that trick I don’t like you
I don’t f--- witchu’

Ain’t nothin’ to it
Real one
Ain’t nothin’ to it
Boss
Ain’t nothin’ to it
Real one
Ain’t nothin’ to it
I Boss

Oohh, real one
Boss

Oh oh oh oh
Oh, yeah

Let me go B
100 million crib
3 million watch
All facts
No cap, false
N---- you not a boss
You got a boss
N----- getting jerked
That sh-- hurts
I take it personally
N----- rather work for the man
Than to work with me
Just so they can pretend they on my level
That sh-- is irking to me
Pride always goeth before the fall
Almost certainly
It’s disturbing what I gross
(What I gross)
Survey says you not even close
(Not even close)
Everybody’s bosses’ till it’s time to pay for the office
Till them invoices separate the men from the boys
Over here we measure success by how many people successful next to you
Here we say you broke if everybody is broke except for you
Boss!

Ain’t nothin’ to it
Real one
Ain’t nothin’ to it
Boss
Ain’t nothin’ to it
Real one
Ain’t nothin’ to it
I Boss

Oohh, real one
Boss

Oh oh oh oh
Oh, yeah

Ain’t nothin’ to it I Boss
I bought my momma a whip
My great great grandchildren already rich
That’s alotta’ brown chil’ren on your Forbes list
Frolicking around my compound on my fortressBoss
Oh, I be riding around with my seat reclining
Dropping my daughter off at school every morning
We slamming car doors
I be troooollingggon these bum boys
You ain’t talking about nothin’ I ain’t got no time
Boss
Chill…, tell them paps they gotta relaxyou tried it
Toes in the sandMomma getting fat
Snack

Nothin’ to it, real one
Ain’t nothin’ to it
Boss
Ain’t nothin’ to it
Real one
Ain’t nothin’ to it
Boss

Ohh, Real one
I’m a Boss

Oh oh oh oh
Oh, yeah

Ohh, ohh
I’m a Boss

Shout out to Rumi and Sir
Love Blue

Written by Beyoncé, S. Carter, Tyrone “Ty Dolla $ign” Griffin Jr, Dernst “D’Mile” Emile II
Published by Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Its Drugs Publishing, EMI Blackwood Music (BMI); Tailored 4U Music (BMI)
Produced byBeyoncé, JAY-Z and D’Mile for Medinah Entertainment
Additional production by Mike Dean, Melo-X and Derek Dixie
Additional horn arrangement by Derek Dixie
Horns by Christopher Gray, Peter Ortega, Randy Ellis, Richard Lucchese, Corbin Jones
Christopher Johnson, Lessie Vonner, Arnetta Johnson, Crystal Torres
Additional Vocals by Ty Dolla $ign
Mixed by Tony Maserati
Recorded by Stuart White
Assistant Mix Engineer: Tyler Scott
Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®
Ty Dolla $ign appears courtesy of Atlantic Records

I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah

Yeah,
F--- your subpoenas and your misdemeanors
Was too busy touring out all your arenas
My passport is tatted
It looks like it’s active
I play on these planes
Y’all catch me in traffic
Y’all drag me in court for that sh--
Y’all backwards
After all of these years of drug trafficking, huh?
Time to remind me I’m black again, huh?
All this talking back, I’m too arrogant, huh?
What would you do you knew you couldn’t fail
I have no fear of anything, do everything well
I have no fear of jail, I was born in the trap
I have no fear of death, we all born to do that
It’s just life
I’m just nice
Tonight I might
Raise my price
Great advice
D--- you Hov
Jesus Christ!

I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah

& I’m nice, nice, nice, nice, nice, nice, nice
Up all night, night, night, night, night, night, night
Running from the lights, lights, lights, lights, lights, lights, lights
Covered in ice, ice, ice, ice,ice, ice, ice

Patiently waiting for my demise
Cause my success can’t be quantified
If I gave two fs two fs ‘bout streaming numbers
Would’ve put Lemonade up on Spotify
F--- you
And you
Your cool
And you
I’m out
I ain’t never seen a ceiling in my whole life
That’s word to Blue
Free stylin’ life
Blueprint from my Jigga who never writes
I’m so na-a-a ice
I’m everybody type
G-- d--- right
I’m so nice
Jesus Christ
I’m better than the hype
I give you life

I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah

& I’m nice, nice, nice, nice, nice, nice, nice
Up all night, night, night, night, night, night, night
Running from the lights, lights, lights, lights, lights, lights, lights
Covered in ice, ice, ice, ice,ice, ice, ice

Last name gon’ be here foreva’
Now we finna’ float like feathas’
Me and Hova do it like rebels
Most of ya chicks got pebbles
I got the Rocs and the Fella
Ice like ‘dem wells from the heavens
Ya gon’ have to watch us eat
Stocked up like the doomsday prepers
Anybody ever had a era
When things coulda’ been better
Feelin’ like you was on a stretcher
And all you remember was the hecklers
But the universe lifts that weight
Then you shine like a new feather
Blessings on blessings, etcetera
Feeling like the best year ever
D--- it’s nice!

I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah

& I’m nice, nice, nice, nice, nice, nice, nice
Up all night, night, night, night, night, night, night
Running from the lights, lights, lights, lights, lights, lights, lights
Covered in ice, ice, ice, ice,ice, ice, ice

WRITTEN BY PHARRELL WILLIAMS, BEYONCé, S. CARTER, DENISIA ANDREWS, BRITTANY CONEY
PUBLISHED BY EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR);OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), 1114 SOUNDS (SESAC); WBM MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI) / PRODUCED BY PHARRELL / VOCAL PRODUCTION BY BEYONCé AND JAY-Z / ADDITIONAL VOCALS BY PHARRELL / RECORDED BY STUART WHITE, MIKE LARSON AND TYLER SCOTT AT THE U ARENA, PARIS, FRANCE AND THE CHURCH STUDIOS, LONDON, UK / MIXED BY LESLIE BRATHWAITE AND STUART WHITE AT METROPOLIS STUDIOS LONDON, UK / ASSISTANT ENGINEER: ADRIEN CRAPANZANO AND JACK THOMASON / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

PHARRELL APPEARS COURTESY OF COLUMBIA RECORDS

Cash in deposits, 24 carrot faucets
Louis V and Goyard trunks all in the closet
Ain’t sh-- changed the streets is still watchin’
And my lil’ baby Blue is like who gon’ stop us, huh

Ain’t no way to stop this love…
Ain’t no space if everything… is love

I’m representin’ for the hustlers all across the world
Still
Still dippin’ in my lo-lo’s girl
Still
I put it down for the 7(Sem’) 1 3
And we still got love for the streets

We playedit cool at the pool in Cancun VMA
Confidence you exude make the fools stay away
Me I play my room let the fools have they say
Fate, had me sitting next you on a plane
And I knew straight away
The next time we would speak
Was like two years away
You had a man
You shut it down
Until you two had a break
I bet that dude ruled the day
You kept me up on the phone
While you were away
You came back , I let you set the date
NOBU on the plate
I brought my dude to play it cool
My first foolish mistake

Cash in deposits, 24 carrot faucets
Louis V and Goyard trunks all in the closet
Ain’t sh-- changed the streets is still watching
And my little baby Blue is like who gon’ stop us, huh

Ain’t no way to stop this love…
Ain’t no space if everything… is love

I’m representing for the hustlers all across the world
Still
Still dippin’ in my lo-lo’s girl
Still
I put it down for the 7(Sem’) 1 3
And we still got love for the streets

I never knew a love, love, love, love like this
Gotta be special for me to write this
Queen, I ain’t mean no disrespect
But the way I network is hard for me to connect
My first time in the ocean went exactly how you would expect
Meanwhile you going hard jumping off the top deck
A leap of faith I knew I was up next
I never told you but I told a few people we’d wed
Me, I’m off to Rome, you going back home instead
My first time in my life a live n---- felt dead
You came back I had to act like it was cool in my head
Thoughts of jumping the broom a player never been swept

Cash in deposits, 24 carrot faucets
Louis V and Goyard trunks all in the closet
Ain’t sh-- changed the streets is still watching
And my little baby Blue is like who gon’ stop us, huh

I’m representing for the hustlers all across the world
Still
Still dippin’ in my lo-lo’s girl
Still
I put it down for the 7(Sem’) 1 3
And we still got love for the streets

To all the good girls that love hustlers
To the mothers that put up with us
To all the babies that suffer cause us
We only know love because of ya
America is a motherf----- to us
Lock us up shoot us
Shoot our self esteem down we don’t deserve true love
Black queen
You
Rescued us
You rescued us
Rescued us

MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

CONTAINS AN INTERPOLATION OF STILL D.R.E WRITTEN BY MELVIN CHARLES BRADFORD, S. CARTER, SCOTT STORCH AND ANDRE ROMELL YOUNG PERFORMED BY DR. DRE AND SNOOP DOG
PUBLISHED BY AIN'T NOTHING BUT FUNKIN' MUSIC (ASCAP); HARD WORKING BLACK FOLKS INC (ASCAP); LIL LU LU PUBLISHING (ASCAP); RESERVOIR MEDIA MUSIC (ASCAP); SCOTT STORCH MUSIC (ASCAP); WB MUSIC CORP (ASCAP)

CONTAINS SAMPLES FROM "SPHINX GATE" AND "THE WORLD IT SOFTLY LULLS"
WRITTEN BY P. BENDER, S. MARVIN, P. MOSS AND N. SAALFIELD AND PERFORMED BY HIATUS KAIYOTE
PUBLISHED BY P.BENDER PUB DESIGNEE, S. MARVIN PUB DESIGNEE, P.MOSS PUB DESIGNEE, AND N.SAALFIELD PUB DESIGNEE

CONTAINS AN INTERPOLATION OF "THE LIGHT"
WRITTEN BY ROBERT CALDWELL, NOMAN HARRIS, LONNIE RASHID LYNN, BRUCE A MALAMENT, JAMES DEWITT YANCEY AND PERFORMED BY COMMON
PUBLISHED BY BENDAN MUSIC (ASCAP); E P H C Y PUBLISHING (ASCAP)

My friends, real friends
Better than yo’ friends
That’s how we keep poppin’ out that Benz, yeah
No foes, real friends
We ain’t even gotta pretend, yeah
Get bands, get bands
Spend it all on my friends
Gon’ pull me up, pull me up, pull me up
& never let me down Never let me down
Gon’ pull me up, pull me up, pull me up
& never let me drown Never let me drown
Gon’ pull me up, pull me up, pull me up
& never let me drownNever let me drown
Gon’ pull me up, pull me up, pull me up
I’ll never hit the ground
Never let me drown
Never let me drown

My friends, real friends
Better than yo’ friends, yeah
That’s how we keep poppin’ out that Benz, yeah
Faux friends, real friends
Better than yo’ friends, yeah
Ask them, ask them
They know all my biness’
I don’t know what I would do
Without all of my crew, yeah
I ain’t making no room, yeah
I ain’t making no new friends
I don’t make no moves, yeah
Without telling my crew, yeah
That’s just how it do, yeah
That’s just how it do… oh
D----it I love my life
Styrofoam cups no ice
Party before we go inside
Never let ‘em out my sight
They’re right by my side
They’re my ride or dies
They’re my ride or dies

My friends are goals
Your friends are foes
We fly, why cry
Our souls exposed, yeah
We smoke, we laugh
Your stress, my stress
Closer than kin
I’m blessed, you blessed

Uh
10 toes
10 toes
We was out in that road, uh
Looking for love in wrong places
We were posed to a stove, yeah
Share jewels, share clothes
That’s how deep this sh-- goes, yeah
Every week ya got bros, yeah
All of ya fake clothes, yeah
Ya switching sides like NBA teams just after half time
I’m pulling up on my dog make sure he ok, I don’t even have time
And cop me a Porsche with butterscotch seats, this before they had meals
Live better than rappers and they don’t even have deals
It’s that real
Bought Emory a BM as soon as he came home
We hopped on a plane headed straight to the Bay
That’s how we turned the game on
It’s game on
Ty momma died, I was there
My nephew died, he was there
He at my house more than I be there
More than B there
Ty Ty there
E there
Breezy there
Juan there
High here
Chaka there
Law there
They all here
Oh yeah
Des there
Kwanna here
Sh-- feel like nirvana here
Crib like the Soho house
I might stay in and grow out my hair
Tight circle no squares
I’m geometrically opposed to you
Ya like to try angles
Ya like to troll, do you?
Ya talk around h---, do you?
Ya don’t follow codes, do you?
We know everything you say from n----- close to you
You emotional
When I say free the dogs, I free ‘em
That’s how Meek got his freedom
Ya put n----- on a t-shirt
It hurts you ain’t ever meet ‘em
You got n---- in the feds
You ain’t even trying to feed ‘em
I’m trying to free the world
That’s how deep I’m in
I ain’t going to nobody nothing
If me and my wife beefin’
I don’t care if the house on fire
I’m dying n---- I ain’t leaving
Ty Ty take care of my kids
After he done grieving
If y’all don’t understand that
We ain’t meant to be friends

Pull me up, pull me up, pull me up
Don’t ever let me down They never let me down
Gon’ pull me up, pull me up, pull me up
Don’t ever let me drown Never let me drown
Gon’ pull me up, pull me up, pull me up
Them never let me downNever let me down
Gon’ pull me up, pull me up, pull me up
Don’t ever let me down
Never let me down
Never let me down

They pray pray for me
They pray pray for me
See better things for me
Want better days for me
Unselfishly
They pray pray for me
They pray pray for me
Whenever I’m in need
They in the backseat
With the AUX bumping B
They ain’t no pride involved
They ain’t no pride involved
In my heart, heart, heart
You know 444
That’s my dog, dog, dog
See your dogs, dogs, dogs,
Point em’ out, out, out
Point em’ out, out, out
What would I be without my friends?What would I be without my friends?
I ain’t got no understandingI ain’t got no understanding
‘Bout them you might just catch these hands
We fall out and we make amends
Yeah, yeah my friends

Your friends are foes
My friends are goals
Closer than kin
Our souls exposed, yeah
Your friends are frauds
All they want is applauds, yeah
And my friends, real friends
Closer than kin

Them pull me up, pull me up, pull me up
Them never let me drown
Them pull me up, pull me up, pull me up
Them never let me down
Them pull me up, pull me up, pull me up
Them never let me down
Them pull me up, pull me up, pull me up
Them pull me up, pull me up, pull me up
Them pull me up, pull me up, pull me up
Them pull me up, pull me up, pull me up

WRITTEN BY BEYONCé, S. CARTER, MATTHEW SAMUELS, JAHAAN SWEET, DENISIA ANDREWS, BRITTANY CONEY, TAVOR JAVON HOLINS, AMIR "CASH" ESMAILIAN, NAVRAJ GORAYA, RUPERT THOMAS JR. / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), 1DAMENTIONAL PUBLISHING (ASCAP) / SONY/ATV TUNES LLC (ASCAP);SONGS OF KOBALT MUSIC PUBLISHING (BMI); 1114 SOUNDS (SESAC); WBM MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI); TAVOR JAVON HOLLINS BMI PUB DESIGNEE; AMIR "CASH" ESMAILIAN SOCAN PUB DESIGNEE; BMG GOLD SONGS (ASCAP), RUPERT THOMAS JR PUB DESIGNEE (SOCAN) SHAY NOELLE PUBLISHING, SONY/ATV TUNES LLC (ASCAP) / PRODUCED BY BEYONCé, JAY-Z, BOI1DA AND JAHAAN SWEET / CO-PRODUCED BY NAV AND SEVN THOMAS / ADDITIONAL PRODUCTION BY FRED BALL / MIXED BY LESLIE BRATHWAITE AND STUART WHITE AT METROPOLIS STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT KINGSLANDING STUDIOS WEST, LOS ANGELES, CA /ASSISTANT ENGINEER: ADRIEN CRAPANZANO AND JACK THOMASON / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

Ain’t no need to ask, you heard about us
No need to ask, you heard about us
Already know you know about… us

No need to ask, you heard about us
No need to ask, you heard about us
Watch yo’ mouth when you around… us

Pull up, hop out, wreck. Got
No time, but we got Pateks. I
Come around stepping on necks. My
Jigga got n----- upset, Why?

Oh why these b------ so mad for?
They don’t want Yoncé on their door
Louie Slugger to your 4 door
Careful, you’ll get what you ask for
We go
Go

Go to Cuba, then Aruba in the middle of the winter
Oh
Skrrt, skrrt, brand new Sprinter
We laugh to the bank, but we ain’t no joke, yeah
You better act like you know, yeah

Ain’t no need to ask, you heard about us
No need to ask, you heard about us
Already know you know about… us

Ain’t no need to ask, you heard about us
No need to ask, you heard about us
Watch yo’ mouth when you around us

If you don’t know, now you know people…
We smoke & we drank
D’USSÉ to the face
Yeah

And if don’t know, now you know people…
Put you in your place
B---- stay in yo’ lane

Talk that talk B
Billy Jean in his prime
For the thousand time the kid ain’t mine
Online they call me dad kiddingly
You’re not supposed to take this dad thing literally
That’s too famous, we don’t even really do famous
I’m cool on that, chunk the two fingers
Everyday I’m getting sued famous
I show up to court without a suit famous
Your every move is on the news, ain’t it ?
Sh-- has its perks too, ain’t it?
Shooting videos in the Louvre, ain’t it ?
It could be far worse for you, can’t it?
Pain comes with Penthouse views, ain’t it?
B---- know me, I been me since the cocaine
B---- know B, she don’t even need a whole name
(It’s Beyoncè)
(Oh My God)

Ain’t no need to ask, you heard about us
No need to ask, you heard about us
Already know you know about us

No need to ask, you heard about us
No need to ask, you heard about us
Watch yo mouth when you around us

And if you don’t know, now you know people…
We smoke & we drank
D’USSÉ to the face

And if don’t know, now you know people…
Put you in your place
B---- stay in yo lane

Yeah, we the ones that y’all heard about
Make big noise, big noise
We don’t need no voucher
We them ones y’all worried about
We good we good
Keep us out yo’ mouth
If you don’t know, now you know people…
If you don’t know, now you know people…

WRITTEN BY BEYONCé, S. CARTER, MATTHEW SAMUELS, NIJA CHARLES, JAHAAN SWEET, ANDERSON "VINYLZ" HERNANDEZ, RAMON "!LLMIND" IBANGA JR., SEAN PUFFY COMBS, JAMES MTUME, JEAN CLAUDE OLIVIER, CHRISTOPHER WALLACE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP),; 1DAMENTIONAL PUBLISHING (ASCAP) / SONY/ATV TUNES LLC (ASCAP); SONGS BY AMNIJA/UNIVERSAL MUSIC PUBLISHING GROUP (BMI); THE SWEET LIFE, LLC ADMINISTERED BY SONGS OF KOBALT MUSIC PUBLISHING (BMI); VINYLZ MUSIC GROUP (ASCAP); SONY/ATV TUNES LLC (ASCAP); BIG TROUBLE LITTLE CHINA/ EMPIRE SF (ASCAP); JUMPING BEAN SONGS LLC (BMI); MTUME MUSIC (BMI); TWELVE AND UNDER MUSIC (BMI); BIG POPPA MUSIC (ASCAP); JUSTIN COMBS PUBLISHING (ASCAP) / PRODUCED BY BEYONCé, JAY-Z, BOI1DA, JAHAAN SWEET, VINYLZ AND !LLMIND / ADDITIONAL PRODUCTION BY FRED BALL / MIXED BY STUART WHITE AT RAK STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT THE U ARENA, PARIS, FRANCE / ASSISTANT / MIX ENGINEER: DAN EWINS / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

CONTAINS AN INTERPOLATION OF "JUICY" BY THE NOTORIOUS B.I.G
WRITTEN BY SEAN PUFFY COMBS, JAMES MTUME, JEAN CLAUDE OLIVIER, CHRISTOPHER WALLACE
PUBLISHED BY JUMPING BEAN SONGS LLC (BMI); MTUME MUSIC (BMI); TWELVE AND UNDER MUSIC (BMI); BIG POPPA MUSIC (ASCAP); JUSTIN COMBS PUBLISHING (ASCAP)

Can you tell us about love?
Hmm
Well there is love of children, love of self, love of God ,love of a partner
All of dem have a different shape , but all of dem is the same in the end
It’s about sensitivity, it’s about passion
It’s about unconditional giving of self to another person
And there’s love of humanity
That’s the love that is right now needed most
Love of humanity
But in everything , in all of that love there is a soul
It’s like when you take some eggs and break them
And you take the shells and you mix them up
Trying to find the one’s that match
When you find the perfect match
That comparity results in passion
Results in unconditional giving of self
I hope I can say that again

Yeah
I’m good on any MLK Boulevard
I’m good on any MLK Boulevard
See my vision with a tech, b---- I’m Malcolm X
Haters dreading my effect, they want that Das EFX
Get your hands up high like a false arrest
Let me see ‘em up high this is not a test
Yes
Put ‘em up this is not a test
Now hands where I can see ‘em
F--- a false arrest

This off white fit that I rock sh-- permanent, hmm
The ‘fro that I grow got no perm in it, hmm
A n---- late but he best dressed
Got slowed down by the weight of my necklaces
Park the Lex in projects
B---- I’m reckless
Extra magazine, hopped on the jet with my Ebony chick
Blacker than the Essence Fest
The behind the back pass is so effortless
Lebron James to you Amber Roses
Dapper Dan at 4 am, sh-- I am the culture
I made my own wave so now they anti Tidal
I’m living a no sock life to spite you
Since the Kalief doc they been at my neck
Ya’ could tell ‘em Trayvon is coming next
The SEC, the FBI or the IRS
I pass the alphabet boys like a eye test

I’m good on any MLK Boulevard, (I’m good)
I’m good on any MLK Boulevard, (He good)
See my vision with a tech, b---- I’m Malcolm X, (I’m Malcolm X)
Haters dreading my effect, they want that Das EFX
Yeah

Get yo’ hands up high like a false arrest put your hands up high
Let me see ‘em up high this is not a test, yeslet me see ‘em up high
Yes, put ‘em up this is not a testput ‘em up, put ‘em up, put ‘em up
Put your hands where I can see ‘em
What’s a false arrest !
Higher
Higher
Higher
Higher
Higher
Higher
Higher
Higher

I’m good anywhere I go, anywhere I go (go)
I pull up like the Freedom riders
Hop out on Rodeo
Stunt with your curls your lips
Sarah Baartman hips
Gotta’ hop into my jeans
Like I hop into my whip, yeah
Mobbing in a hoodie like Melo
Come up out that pretty motherf-----’ like hello, hello
I will never let you shoot the nose off my Pharaoh
Yeah..

I like purple and purple rain
Tryna’ put red and blue together b---- that’s all game
These people tryna’ get me out the paint
Cause I cook collard greens and yams better than ya’ aunt
Man
We started with a mustard seed
Now we in the grey 911 with the mustard seats
Sheesh
Matte black puma jet
Shining my light on the world just like Umi said
Got the Richard Mille all colors
Might hit you with the rose gold all summer
For the culture
They even biting cornrows
Put your scarecrows up
I come from the finest crop
Tell ‘em the gods on road
Watch ‘em line the block
The Chitlin’ Circuit has stopped
Now we in stadiums
80 thou’ a WOP, yeah
Watch

I’m good on any MLK Boulevard, (He good)
I’m good on any MLK Boulevard, (He good )
See my vision with a tech, b---- I’m Malcolm X, (I’m Malcom X)
Haters dreading my effect, they want that Das EFX
Get your hands up high like a false arrest
Let me see ‘em up high this is not a test
Yes
Put ‘em up this is not a test
Now hands where I can see ‘em
F--- a false arrest

I know, I only got ‘pon the the way
But look in the mirror, I see him holding me
Not realizing all that your expect passed away
But I know, I only got ‘pon my way

WRITTEN BY BEYONCé, S. CARTER, DENISIA ANDREWS, BRITTANY CONEY, MARCELLO VALENZANO, ANDRE CHRISTOPHER LYON, RAYSHON COBBS JR, ALEXANDER SMITH, JAN KOZUKI / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP) / 1114 SOUNDS (SESAC); W.B.M MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI); 808-RAY BEATS (ASCAP); SMITTY BEATS (BMI) / PRODUCED BY BEYONCé, JAY-Z AND COOL & DRE FOR EPIDEMIC MUSIC INC / ADDITIONAL VOCALS BY DR. LENORA ANTOINETTE STINES  / MIXED BY TONY MASERATI AT THE CHURCH STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT KINGSLANDING STUDIOS WEST, LOS ANGELES, CA / ASSISTANT MIX ENGINEER: TYLER SCOTT AND HENRI DAVIES / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

CONTAINS A SAMPLE OF "BROKEN STRINGS" WRITTEN BY JAN KOZUKI AND PERFORMED BY FLOWER TRAVELLIN' BAND

Put it on ice
Celebrate that we made it
I put it on Christ
That’s on God, yeah
Lord knows it takes hella’ patience
When your name is a verb
And these comments absurd
And they swear they know you better than you know yourself
Could you control yourself?
Cheers to me and you

Salud….

Look me in my eye
Nigga cheers to you and I
Cheers to you…
Look me in the eye
Make a cheers to you and I

Salud!

Mazel Tov
Gold bottle, tall
Wife got a model walk
House all glass
Slide the doors, you ain’tgotta wall
And to top it off
Got another one in Montauk
Trifecta down in Tribeca
Bonjour
French crib in the French Quarters
Champagne in the glass
Toast to the importers
Spill some out for the past

Put it on ice
Let’s celebrate that we made it
I put it on Christ
That’s on God, yeah
Lord knows it takes hella’ patience
When your name is a verb
And these comments absurd
And they swear they know you better than you know yourself
Could you control yourself?

Cheers to me and you

Salud…

Baby me in my eye
Take acheers to you and I
Cheers to you….
Baby look me in the eye
Take acheers to you and I

Salud!

Hola
Thank the most high for the coca
Salud!
God protect babies and fools
I was both
It’s just not a popular trope
The wind comes and I’m just a flute
The winds come and I’m not a fluke
I’m convinced that I’m truly the G.O.A.T
Sosa
The Elohimintervene like boy you the truth
Don’t die
Angels on both sides, toast with mimosas
Your President’stweetin’ about Hov like he know us
My road to the top was the take what you owed us
I give a f--- what that man find vulgar
Just look in my eyes when you toast us

Put it on ice
Let’s celebrate that we made it
I put it on Christ
That’s on God
Lord knows it takes hella patience
When your name is a verb
And these comments are absurd
And they swear they know you better than you know yourself
Could you control yourself?

Cheers to me and you!

Salud…

Baby look me in my eye
Take acheers to you and I
Cheers to you…
Baby look me in the eye
Take acheers to you and I

Salud!

Mazel Tov

Put up your glass
Put up your glass
Put up your bag
Throw up a light
So that we bright
Blow money fast, yeah
This what we came for
Look out the window
Nigga , oh no
This what we ball for

Shoutout to Rumi and Sir
Love Blue

Written by Beyoncé, S. Carter, Marcello Valenzano, Andre Christopher Lyon, E. Dubok
Published by Oakland 13 Music (ASCAP) All Rights Administered by WB Music Corp. OBO Itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Z Songs/Dade Co. Project Music Inc. (BMI) OBO Universal Music ; Fruit of the Loominati Music (BMI)
Produced by Beyoncé, JAY-Z and Cool & Dre for Epidemic Music Inc
Co-produced by Beat Butcha
Additional programming by 808-Ray
Additional vocals by Dre from Cool &Dre
Mixed by Chris Godbey
Recorded by Stuart White
Assistant Mix Engineer: Tyler Scott
Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®

A&R Executive: Teresa LaBarbera